Leave a Reply Cancel reply Your email address will not be published. His connoisseurs amusing themselves in the not only aesthetic pleasure of examining with a magnifying glass a voluptuous Venus, with their lascivious countenances they are mimicked with the old ones represented in the painting of Susanna that hangs behind them. Connoisseurs Susanna surprised by the Elders of the Dutchman Sebastiaan Bremer is part of a peculiar series with a palimpsest of references: Not being covered by any mythological or biblical subject, the female nude confronted with the dressed man was presented with all its sexist load. Reviewing the fate of Susana throughout the history of painting, the satirist Thomas Rowlandson was the one who best used it to show the brothel of the art world. Susanna and the Elders Restored X Ray Berger exemplifies with Tintoretto and his representation of the biblical theme of Susanna surprised by the old patriarchs the hypocrisy of the painter when putting a mirror in front the young woman to allegorize on the vanity vanitasbeing in fact a pretext to enjoy the body that while looks oneself ignores that is being doubly looked.
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Military occupation and sexism inserted in the same degrading discourses. Nothing seems more like a whorehouse to me than a museum … In one beautiful frozen images of Venus, Judith, Susanna, Juno, Lucrece, Salome and other heroines; in the other, living women in their traditional garb, with their stereotyped gestures and phrases. They are vulnerable but full of themselves and their circumstances. From different perspectives, female artists have critically emphasized this contrast: Michel Leiris, Manhood Do women have to be naked to get into the Met. Connoisseurs Susanna surprised by the Elders of the Dutchman Sebastiaan Bremer is part of a peculiar series with a palimpsest of references: